Current Exhibitions

Between Stillness and Fracture

Sona Lee

May 14 to May 28

Sona Lee: Between Stillness and Fracture unfolds as a shifting field of perception where memory, dreams, and fragmented reality overlap and destabilize one another. Familiar images are quietly reconfigured through shifts in framing, space, and scale.

Through painting, Sona Lee constructs layered visual systems using a “frame within a frame” structure, creating multiple spatial registers within a single surface where images appear both coherent and unstable.

The works function less as narrative than as perceptual conditions, where figures and landscapes dissolve into atmosphere, hesitation, and emotional residue.

Emptiness operates as an active structure rather than absence, drawing from minimalism and the spatial sensibility of traditional Korean painting.

The exhibition reflects on perception as an unstable process—continuously assembled, interrupted, and in flux.

Exhibition Hours
Monday–Friday, 10 AM – 4 PM  

(Closed on Weekends)

Exhibition Hours:Monday–Friday, 10 AM – 4 PM 

The Anti-Fractal Map: A Cognitive Field in Deviation

Ji Eun Cheon

April 15 to April 24

The Anti-Fractal Map: A Cognitive Field in Deviation unfolds as a field of perceptual instability, where repetition and structure are continually disrupted from within. Beginning with the logic of fractal systems, the works deliberately deviate from principles of self-similarity, generating forms that multiply, diverge, and fail to resolve into stable configurations.

Through dense pen drawing and accumulated mark-making, Ji-eun Cheon constructs visual systems in which order and collapse coexist. Rather than offering a fixed center or stable orientation, the works produce shifting perceptual fields that resist mapping in any conventional sense.

Here, the “map” is redefined not as a tool of navigation, but as a metaphor for cognition itself—an unstable structure through which we attempt to organize the world, even as it continuously unravels. Meaning emerges not as resolution, but through sustained attention to deviation, fragmentation, and difference.

Presented as part of Art Pan’s Korean contemporary artist program, the exhibition reflects on how systems of perception are formed and destabilized, inviting viewers into a space where coherence is never complete, and seeing itself remains in flux.

Exhibition Hours:Monday–Friday, 10 AM – 4 PM 

Side- Eye

In June Park

March 24 to April 2

Side - Eye invites viewers into a world shaped by subtle observation and fragmented perception. Shadows linger, peripheral glimpses of everyday life drift by, and small details—a fleeting glance, a cropped figure, the curve of a hand, a partially revealed object—begin to accumulate meaning over time.

New York–based artist In June Park captures these moments through layered acrylics, careful attention to texture, and an acute awareness of peripheral vision. Drawing on fleeting impressions, memory, and fragments of everyday experience, his paintings reveal how seemingly minor or overlooked elements can resonate deeply when viewed slowly and attentively. Works such as <Side Eyes> and <Chair> exemplify this approach, transforming partial visibility and subtle gestures into compositions that encourage close, deliberate engagement.

Within this space, time, attention, and patience become essential: viewers are invited to linger, to follow the paths of cropped forms and textured surfaces, and to allow meaning to emerge gradually from the edges, margins, and silences that structure Park’s visual world.

Exhibition Hours:Monday–Friday, 10 AM – 4 PM 

The Night Becomes You 

Jiwoong Jang

January 20 to January 30

<The Night Becomes You> is a solo exhibition by New York–based Korean artist Jiwoong Jang, featuring photographs and sculptural works shaped by nearly two decades of walking at night.

The exhibition began with a line from Jean-Dominique Bauby’s memoir The Diving Bell and the Butterfly: “Just walking at night until I dropped.” For the artist, this sentence became a starting point for understanding nighttime walking as a way of thinking, enduring, and finding balance during uncertain periods of life.

Rather than documenting specific places, the works focus on fleeting traces of light, subtle shifts in distance, and changes in perception experienced while moving through darkness. The images do not tell a clear story, but instead capture moments of pause—brief intervals between stillness and movement.

Through photography and sculptural forms, The Night Becomes You turns personal experience into a space where viewers are invited to slow down and linger at their own pace.